Monday October 7, 2019 to Sunday January 5, 2020
These deceptively simple drawings frame the publics’ understanding of early-to-mid twentieth-century world events and trends ranging from the two World Wars, the Great Depression, public discontent with the US government, presidential elections, daily battles regarding work-related rejection, nostalgia for homespun neighborhood charm in the Midwest, and more. Along the way, these cartoons served a dualistic intention: to provide welcomed comic relief as well as shape opinion.
The cartoonist draws strength from the limited conventions of the newspaper context. Just as the strict rules of a haiku challenge the poet to create exactly the right mood within the tight construction of very few words, the editorial cartoonist presents a powerful distillation of political argument through a single image and maybe a few well-placed labels or a short caption.
To accomplish this underappreciated feat, cartoonists develop their own language—a language taught to and subsequently shared with their readers. Standard symbols such as the oft-used Uncle Sam or Statue of Liberty evoke abstract concepts such as nation, patriotism, and public interest. On a darker side, cartoons reveal the inherent cruelty of prejudice, xenophobia, and ignorance.
Political humor relies on an informed and receptive audience. Headline stories prime newspaper readers to more quickly grasp the cartoonist’s unique take on the news of the day. A talented cartoonist makes even complex political arguments accessible to ordinary citizens. The friendly strokes of the cartoonist’s pen often belie the rawness and reality of the issues at hand. This exhibition of editorial cartoons convey how cartoons effectively expose hypocrisy, reveal contradictions, introduce news ideas, and promote fresh perspectives as news events unfold.
Included in this exhibition are Pulitzer Prize winners for Editorial Cartooning: Bruce Alexander Russell, Herbert Lawrence Block (Herblock), Charles G. Werner, C.D Batchelor, Charles R. Macauley, and Vaughn Shoemaker.
The Melton Gallery at the University of Central Oklahoma has housed this set of political cartoons for more than three decades.